Hand painted Wiener Werkstätte ladies shoes. These shoes are leather and completely hand painted with the "Osterglocken" (Narcissus) motif designed by Franz Von Zülow circa 1910/12. They have black and white striped enameled silver buckles, a design by Josef Hoffmann, sewn to the vamps. "Weiner Werkstatte" stamp on insoles and on reverse side of buckles. Other extant examples of Franz Von Zülow's osterglocken motif for Wiener Werkstatte reside in various museum collections: The Cooper Hewitt (and drawing), the Metropolitan Museum of Art, and Museum of Applied Arts and Sciences. Edith Schiele's shoes in the same motif, reside in the Albertina Museum, Austria.
Another extant example of the enameled striped brooches by Josef Hoffmann resides in the Metropolitan Museum of Art.
Hand painted Wiener Werkstätte ladies shoes. These shoes are leather and completely hand painted with the "Osterglocken" (Narcissus) motif designed by Franz Von Zülow circa 1910/12. They have black and white striped enameled silver buckles, a design by Josef Hoffmann, sewn to the vamps. "Weiner Werkstatte" stamp on insoles and on reverse side of buckles. Other extant examples of Franz Von Zülow's osterglocken motif for Wiener Werkstatte reside in various museum collections: The Cooper Hewitt (and drawing), the Metropolitan Museum of Art, and Museum of Applied Arts and Sciences. Edith Schiele's shoes in the same motif, reside in the Albertina Museum, Austria.
Another extant example of the enameled striped brooches by Josef Hoffmann resides in the Metropolitan Museum of Art.
Hand painted Wiener Werkstätte ladies shoes. These shoes are leather and completely hand painted with the "Osterglocken" (Narcissus) motif designed by Franz Von Zülow circa 1910/12. They have black and white striped enameled silver buckles, a design by Josef Hoffmann, sewn to the vamps. "Weiner Werkstatte" stamp on insoles and on reverse side of buckles. Other extant examples of Franz Von Zülow's osterglocken motif for Wiener Werkstatte reside in various museum collections: The Cooper Hewitt (and drawing), the Metropolitan Museum of Art, and Museum of Applied Arts and Sciences. Edith Schiele's shoes in the same motif, reside in the Albertina Museum, Austria.
Another extant example of the enameled striped brooches by Josef Hoffmann resides in the Metropolitan Museum of Art.
Hand painted Wiener Werkstätte ladies shoes. These shoes are leather and completely hand painted with the "Osterglocken" (Narcissus) motif designed by Franz Von Zülow circa 1910/12. They have black and white striped enameled silver buckles, a design by Josef Hoffmann, sewn to the vamps. "Weiner Werkstatte" stamp on insoles and on reverse side of buckles. Other extant examples of Franz Von Zülow's osterglocken motif for Wiener Werkstatte reside in various museum collections: The Cooper Hewitt (and drawing), the Metropolitan Museum of Art, and Museum of Applied Arts and Sciences. Edith Schiele's shoes in the same motif, reside in the Albertina Museum, Austria.
Another extant example of the enameled striped brooches by Josef Hoffmann resides in the Metropolitan Museum of Art.
Metallic gold lamé and embroidered 1920s dress by Vitaldi Babani.
Unlabeled. A teal version of this dress, with its original matching coat, were exhibited in the 1993 exhibition "The Shapes of Fashion" sponsored by The Fashion Foundation of Japan. An additional, labeled variation of this dress was catalogued by Doris Raymond.
Metallic gold lamé and embroidered 1920s dress by Vitaldi Babani.
Unlabeled. A teal version of this dress, with its original matching coat, were exhibited in the 1993 exhibition "The Shapes of Fashion" sponsored by The Fashion Foundation of Japan. An additional, labeled variation of this dress was catalogued by Doris Raymond.
Gabrielle Chanel silk dress with lamé chrysanthemums.
Unlabeled. This was part of a c. 1927 collection by Chanel in the chrysanthemum motif. Other labeled pieces from this collection reside in the collections of the Metropolitan Museum of Art and Kyoto Costume Institute .
Gabrielle Chanel silk dress with lamé chrysanthemums.
Unlabeled. This was part of a c. 1927 collection by Chanel in the chrysanthemum motif. Other labeled pieces from this collection reside in the collections of the Metropolitan Museum of Art and Kyoto Costume Institute .
Gabrielle Chanel silk dress with lamé chrysanthemums.
Unlabeled. This was part of a c. 1927 collection by Chanel in the chrysanthemum motif. Other labeled pieces from this collection reside in the collections of the Metropolitan Museum of Art and Kyoto Costume Institute .
Gabrielle Chanel silk dress with lamé chrysanthemums.
Unlabeled. This was part of a c. 1927 collection by Chanel in the chrysanthemum motif. Other labeled pieces from this collection reside in the collections of the Metropolitan Museum of Art and Kyoto Costume Institute .
Late 1920s dress fashioned in H. R. Mallinson screen-printed silk from its "American Indian" series, released in 1928. Likely commissioned from independent designer Walter Mitschke.
Late 1920s dress fashioned in H. R. Mallinson screen-printed silk from its "American Indian" series, released in 1928. Likely commissioned from independent designer Walter Mitschke. Other examples reside in collections of Rhode Island School of Design and the Museum of Fine Arts, Boston.
Wiener Werkstätte silk shoes with heart-shaped cutouts, moiré ribbon laces, and Koloman "Kolo" Moser enameled rabbit buckles. Enameled buckles stamped with Wiener Werkstätte marks on undersides.
Other examples of Moser's enameled rabbit design reside in the collection of the MAK museum ( and 2).
Wiener Werkstätte silk shoes with heart-shaped cutouts, moiré ribbon laces, and Koloman "Kolo" Moser enameled rabbit buckles. Enameled buckles stamped with Wiener Werkstätte marks on undersides.
Other examples of Moser's enameled rabbit design reside in the collection of the MAK museum ( and 2).
Wiener Werkstätte leather shoes with Koloman "Kolo" Moser enameled animal buckles. Enameled buckles stamped with Wiener Werkstätte marks on undersides. Shoes stamped Wiener Werkstätte on insoles.
Other examples of Moser's enameled design reside in the collection of the MAK museum ( and 2).